Hannah Neckel, based online as @cybervoid69 is a transmedia artist, worldbuilder and practicioner of lesbian futurity. Working inbetween on & offline realms, creating emotionally infectious xxxperiences that are spilling out of the internet through the screen into the physcial world, flowing from me to you.
Fluidity acts as the main river, melting through installation, sculpture, video, sound, and digital fabrication, running on the current of queer desire, towards the dissolution of thresholds between the digital utopia and the liberation of the real, translating ephemeral online feelings into experienceable irl form, until they will manifest as reality.
⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙♡•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙
⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙♡•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙
Hannah Neckel
based in Vienna ~&~ Online
holds a Master of Fine Art with Honors
in Transmedia Art
from the University of Applied Arts in the class of Brigitte Kowanz & Jakob Lena Knebl
graduated in 2025
She is a member of the interdisciplinary artist-led collective room69
⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙♡•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙
Water, flow, and softness as material and sensation, shaping an environment where boundaries dissolve and queer futurity becomes spatial and immersive.
Technology drives this practice as an extension of desire itself, a xenofeminist technomaterialism in which computational tools and digital fabrication become instruments of gender abolition and the expansion of the imaginable. Wetware and hardware interpermeate. The screen leaks into sculptural space; bodies of water process affect and data simultaneously.
Constructing worlds where desire springs from within the present toward the horizon it generates, always already overflowing the categories that would contain it. What circulates online ~fantasy, affect, desire, emotions, fragments of community ~ is gathered, reshaped, and offered back as shared encounters.
Technology drives this practice as an extension of desire itself, a xenofeminist technomaterialism in which computational tools and digital fabrication become instruments of gender abolition and the expansion of the imaginable. Wetware and hardware interpermeate. The screen leaks into sculptural space; bodies of water process affect and data simultaneously.
Constructing worlds where desire springs from within the present toward the horizon it generates, always already overflowing the categories that would contain it. What circulates online ~fantasy, affect, desire, emotions, fragments of community ~ is gathered, reshaped, and offered back as shared encounters.
Sculpture and installation function as operational hyper spaces where desire can linger, soften edges, generating new ontologies of relation, presence and reality. Within these hyper spaces, the figure of water emerges as both metaphor and operative material. Water embodies the logic of circulation and flow: emotional, affective, and networked; functioning as an analogue for the internet’s liquidity while simultaneously destabilizing categorical boundaries.
Rather than pointing toward a distant future, the work insists on the present as a site of transformation.
Realizing utopia not as deferred fantasy but as a speculative present continuously lived into being.
![]()
Rather than pointing toward a distant future, the work insists on the present as a site of transformation.
Realizing utopia not as deferred fantasy but as a speculative present continuously lived into being.
⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙♡•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙
